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MY WORK
Woman Alone 2/2
Plaster Tiles / 16 total (10x10cm ea), 2021.
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The installation explores the frozen movements and actions that would be initiated during female masturbation. A celebration of touching yourself after years of others touching you without consent. Movement captured and immortalised within the plaster tiles displayed on the floor to mirror that people of tip-toe around the subject within conversation, now, literally tip-toed around within a gallery space.
IF YOU REALLY WANT TO KNOW
Acrylic on Stretched Canvas (16.5x23.5inch), 2022.
Words that remain unsaid even though they are felt. If You Really Want To Know highlights the inner monologue and the things we feel but refuse to externalise to those around us. With my work discussing topics that are taboo, mental health being one of them. Using acrylic to paint through the backside of the canvas to create a difficult to read statement causing the consumer to pay more attention to that which is not explicitly displayed.
SOME PEOPLE
Acrylic on Canvas wrapped board, (pending size), 2022
A poetic piece about loosing people but valuing the time you had with them. Even though it's done, it leads you to where you are you and where you needed to be, even if it hurt.
1/2
HOW MANY MORE YEARS
Acrylic on Stretched Canvas, (20x20cm), 2022-ONGOING.
A celebration of not only surviving another year, but living.
1/4
ABOVE MY SOFA
Paper, Collage (A5, Set of Four), 2021.
A series of collages that live above my sofa.
AND YOU,LIKE THE WIND
Acrylic, Canvas (80x55cm), 2022.
A comment on fleeting friendships that end just as quickly as they arrived, whether they ended well or not, you are left with a feeling of unsettling nostalgia that holds an underlying uncertainty, positive or negative feeling.
THE FEAR OF MOVING ON (sold)
Acrylic, Stretched Canvas, (pending size), 2021
Sharing an incredibly intimate, honest and guilt free relationship with someone else is, in my opinion, one of the most powerful things we can share with another person. This piece is about the terrifying thought of having to start over again, if that relationship ever ended. Going from sharing your deepest secrets and regrets back to teaching someone about the most surface level and trivial facts about yourself.
1/5
WOMAN ALONE 1/2
Ink on Paper, (A6 Sheets, Set of Four), 2021
What began as a first draft for an artist statement turned into an honest and confessional piece that now holds its own as a piece of art
UNFORESEEN REALITIES
Acrylic on Stretched Canvas, (1mx1m), 2022
The realities of life that I never saw coming. After some late night reflecting, on very little sleep, I returned home after a long and difficult shift with adulthood looming with intrusive thoughts equally as prominent.
UNTITLED staple gun
Acrylic on (partially) Stretched Canvas, (18x25inch approx), 2022
An honest frustration displayed through the form of explicit text on the back side of the canvas to then be exhibited unconventionally to expose where the frustration is rooted. Becoming almost sculptural with the elements of loose hanging fabric, a moment of an artist's practice that is often left unseen and overlooked and the difficulties that come with it.
I HAVE A LIZARD TO LOOK AFTER
Acrylic on Stretched Canvas, (Set of Two, 20z20cm ea), 2022
Through the guise of humour, the underlying meaning is discussing the seriousness of suicide and how you find things within your life to hold on for, no matter how trivial or small. Discussing responsibilities and how it affects how you continue through your mental health issues to look after things within your life that you are responsible for.
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